ℹ️ 🛹 Web Média Skate 🛹 ℹ️
★ Chroniques · Opinion
Cara-Beth Burnside: 2005, the year the X Games had to pay the girls
En 2005, Cara-Beth Burnside et l'Action Sports Alliance poussent les X Games à égaliser les primes des skateuses. Comment le bras de fer s'est joué ?
→ Pour aller plus loin : Jamie Foy et la New Balance Numeric 306 : quand la vulcanisée encaisse tout
In 2005, women's skate wasn’t on the same level as the X Games. It was a massive battle that played out far from the spots, behind the scenes of the business. Cara‑Beth Burnside was at the heart of that fight.
Before the Deal
At the dawn of the 2000s, Cara‑Beth Burnside was already a benchmark in women’s skate. A multi‑medalist at the X Games since their inception, she skated for brands like Vans and Flip. But behind the sporting recognition, the prize money for women’s events was still far below that of men. The gap was starting to gnaw seriously in the scene. Awareness of gender equality in sport was growing, feeding the discomfort. Female athletes had performances often on par. Yet they felt financially devalued. Conversations began to flare in parks and competitions. A sense of injustice was maturing.

Skate brands, on the other hand, saw the growing potential of the female market. But the budgets allocated to athletes didn’t yet reflect that shift. The X Games were the pinnacle of visibility. The earnings imbalance was a major hurdle for the professional development of female skaters. It was an era where sponsor exits, contract talks, and marketing strategies weighed heavier and heavier on a rider’s career. The same applied to women.
The women’s skate scene, though less media‑covered than the men’s, already had its pioneers and leaders. Names like Elissa Steamer, Mimi Knoop, and Jen O’Brien were already seen as authorities. Cara‑Beth Burnside, with her record and longevity, embodied part of that emancipation. She’d seen skate evolve. She’d seen sponsor shifts and new opportunities. She felt the need to act. She wanted future generations to avoid the same inequalities.
Action Sports Alliance
In 2005, Cara‑Beth Burnside played a key role in founding the Action Sports Alliance (ASA). It wasn’t just an association. It was an organization designed to give athletes a stronger voice. It focused on emerging and often overlooked sports, including women’s skate. The ASA aimed to negotiate better terms. It wanted to defend riders’ rights. And promote greater equity in competitions and contracts.

They went straight to the source. Hit the problem where the visibility and cash flow were biggest. The X Games had a massive crowd, and their reach covered the whole extreme sports scene. It was a no-brainer target. The plan: put the pressure on the organizers to rethink the prize structure. They could lean on the rising performance and popularity of women’s skate.
Setting up a collective bargaining structure was a bold move. Instead of letting each skater negotiate solo, the ASA let them speak as one voice. The punch was stronger. It was a strategic shift. The goal was to rebalance the power dynamics in pro skate. The big calls were often made without real athlete input.
Read also : Women’s skate exploded in 5 years. Why 36 Skater of the Year and zero women?
Why now?
The pressure had been building for years. Women skaters had proven their skill, commitment, and passion through countless competitions and film parts that left an impression. The gap between performance quality and pay was getting more obvious. It was time to move from frustration to real action.
Cara-Beth Burnside and the other founding members of the ASA felt the timing was right. The X Games were looking to broaden their audience. They also wanted to bring in new disciplines and new crowds. Highlighting equity in women’s skate could be a powerful angle for the competition’s image and evolution.
Plus, the sponsorship talks were starting to shift. Brands realized that investing in female athletes wasn’t just about image. It was also a profitable market segment. The ASA brought that potential to the forefront. They argued that better pay at the X Games would send a strong signal to all the industry’s brands.
Behind the Scenes of X Games 2005
The negotiations for X Games 2005 were intense. The ASA, led by Cara-Beth Burnside, directly confronted the organizers, ET (Extreme Sports) and ESPN. The talks were tense. The prize money was a big part of the budget and the event’s broadcast strategy.
According to sources close to the talks back then, there were moments of total standstill. The organizers first tried to downplay the prize gap. They cited different audiences or production costs. But the ASA reps, armed with numbers and testimonials, held their ground firmly. They threatened to pull athletes out if an agreement wasn’t reached.
There were marathon meetings, endless phone calls. Tension was palpable between the skaters, the organizers and even some sponsors. Those sponsors were hesitant to get involved in a potential conflict. Cara-Beth Burnside’s name kept coming up in the exchanges. She was known for her stubbornness and influence.
Burnside’s Career
This fight for equal pay at the X Games marked a decisive turning point in Cara-Beth Burnside’s career. It cemented her status. She wasn’t just an exceptional competitor. She was a leader capable of standing up for her discipline’s interests. Her commitment boosted her credibility with brands and the public.
The positive outcome of those talks opened new doors. Sponsors saw her as an ambassador who could deliver powerful messages. It went beyond just athletic performances. She became a flagship figure for the growth of women’s skate. She attracted partnerships that valued her dedication and integrity.
That move let her extend her career with better contracts. She gained more freedom to pick her projects. Her influence spilled over beyond the competition. She got involved in initiatives to grow skate among young girls. The fight for equity undeniably cemented her legacy.
Read also : AKA: Girl Skater, 2003: the part of Amy Caron and the car won at Gallaz Skate Jam — what happened next?
Market and skateboard
What happened in 2005 at the X Games set off a domino effect across the skateboarding market. The equalization of prize money sent a clear message. Female skate deserved the same recognition and financial consideration as male skate.
Brands had to rethink their sponsorship strategies. The ASA became a model for other disciplines. It showed the power of collective bargaining. That pushed for more transparency in contracts. It also prompted a reassessment of budgets allocated to female athletes across all events.
In the end, this action helped professionalize female skate even further. It made it more appealing to new talent. It made it more sustainable for existing careers. Equalizing prize money was a necessary step. Female skate could finally reach its full potential. It drew new generations of riders and a wider audience. It proved that talent and passion don’t have a gender.
Verdict: X Games 2005
In 2005, Cara‑Beth Burnside and the Action Sports Alliance won their case at the X Games. The key date was the announcement of prize parity that year. That hard‑won deal changed the game for women’s skate. Female skaters earned the same pay as their male counterparts for skate events, thanks to pressure from the ASA.
What had been ripped out was the concrete recognition of the value of women’s skateboarding. The exact prize amounts aren’t always publicly broken down year by year. But the commitment made by the organizers aimed to wipe that previous financial gap. It was a huge win for Cara‑Beth Burnside. It was also a win for the entire female skate community. It marked a key milestone toward more equality in the sport.
Who won? The skaters, who finally saw their work rewarded at its true value. The X Games, boosting their image by becoming a model of sporting equity. And skateboarding itself, proving once again it can evolve and carry powerful messages about equality. Cara‑Beth Burnside etched her name not only into skate history with her tricks but also with her push for a fairer sport.
Sources
Shop NOSK8
Voir toute la boutique →
TEE-SHIRTS
TEE-SHIRT NOSK8® NOSKATE #NSITA
Le prix initial était : 35,00 €.29,00 €Le prix actuel est : 29,00 €.
TEE-SHIRTS
TEE-SHIRT NOSK8® P.B HEART #POLARBEAR
Le prix initial était : 35,00 €.29,00 €Le prix actuel est : 29,00 €.
TEE-SHIRTS
TEE-SHIRT NOSK8® I.L.N #ILOVEN8
Le prix initial était : 35,00 €.29,00 €Le prix actuel est : 29,00 €.
TEE-SHIRTS
TEE-SHIRT NOSK8® P.B HEART #NYC
Le prix initial était : 35,00 €.29,00 €Le prix actuel est : 29,00 €.
TEE-SHIRTS
TEE-SHIRT NOSK8® MATRICE HEART #CTRL
Le prix initial était : 35,00 €.29,00 €Le prix actuel est : 29,00 €.
CASQUETTES
CAP NOSK8® P.B #POLARBEAR
Le prix initial était : 35,00 €.25,00 €Le prix actuel est : 25,00 €.
CASQUETTES
CAP NOSK8® N8 #NOSK8
Le prix initial était : 35,00 €.25,00 €Le prix actuel est : 25,00 €.
CASQUETTES
CAP NOSK8® P.B.P #PAW
Le prix initial était : 35,00 €.25,00 €Le prix actuel est : 25,00 €.
HOODIES
HOODIE NOSK8® P.B HEART #NYC
Le prix initial était : 60,00 €.49,00 €Le prix actuel est : 49,00 €.
HOODIES
HOODIE NOSK8® P.B HEART #ORIGINAL
Le prix initial était : 60,00 €.49,00 €Le prix actuel est : 49,00 €.
HOODIES
HOODIE NOSK8® P.B HEART #PHILI
Le prix initial était : 60,00 €.49,00 €Le prix actuel est : 49,00 €.
HOODIES
HOODIE NOSK8® MATRICE HEART #CMD
Le prix initial était : 60,00 €.49,00 €Le prix actuel est : 49,00 €.
HOODIES
HOODIE NOSK8® P.B HEART #POLARBEAR
Le prix initial était : 60,00 €.49,00 €Le prix actuel est : 49,00 €.
SWEAT
SWEAT NOSK8® P.B HEART #BARÇA
Le prix initial était : 45,00 €.39,00 €Le prix actuel est : 39,00 €.
SWEAT
SWEAT NOSK8® P.B HEART #PHILI
Le prix initial était : 45,00 €.39,00 €Le prix actuel est : 39,00 €.
SWEAT
SWEAT NOSK8® P.B HEART #NYC
Le prix initial était : 45,00 €.39,00 €Le prix actuel est : 39,00 €.
SWEAT
SWEAT NOSK8® P.B HEART #PARIS
Le prix initial était : 45,00 €.39,00 €Le prix actuel est : 39,00 €.
SWEAT
SWEAT NOSK8® P.B HEART #POLARBEAR
Le prix initial était : 45,00 €.39,00 €Le prix actuel est : 39,00 €.
Continue ta lecture
TricksRay Barbee dans Ban This : 1989
En 1989, Ray Barbee signe sa part dans Ban This avec une planche de flat et des no comply. Trente ans après, on essaie encore…

Commentaires (0)