EMB Embarcadero: Forged Modern Skate, Gone Forever

Contents

Birth of a spot that should never have existed

Late 80s. San Francisco inaugurates Justin Herman Plaza, a large marble esplanade right in front of the Ferry Building, at the foot of the Bay Bridge. The architect wasn't thinking about skateboarding. He was thinking about pedestrians, bankers in suits, cable car tourists. He didn't know he had just designed the perfect spot.

The setting: three low stairs, a barely raised granite ledge, a gap of about 2 m between two blocks (which would become the legendary "Gonz gap" named after Mark Gonzales), and benches perfectly arranged for grinding. The marble was smooth as a mirror. The surrounding concrete, perfectly flat. No cracks. Nothing.

The first skaters arrived in 1989-1990. At first, two or three kids from SoMa, a few locals from Mission. Then the rumor spread. Videos started circulating. And very quickly, all of San Francisco's skateboarding scene came to the Embarcadero. It was abbreviated. It became EMB. Three letters that would end up carved into the marble of skateboarding history.

What no one understood at the time: EMB's geometry wasn't perfect for 80s skateboarding. It was perfect for what was about to be born. The technical street skating that replaced ramps and freestyle. The kind with flip tricks, switch ledge grinds, linked lines. Everything that would define the 90s was contained on that sidewalk.

The EMB mafia, or how a crew monopolized a spot

If you arrived at EMB in 1992 with your new board and your naivety, you had two options. Either you got kicked out by James Kelch (the self-proclaimed bouncer of the spot, known for throwing boards into the bay). Or you took it silently and watched them skate.

Because at EMB, there was a hierarchy. And at the very top, a crew of 15-20 guys who would later be called the EMB mafia: Mike Carroll, Henry Sanchez, Jovontae Turner, Mike York, Karl Watson, Rick Ibaseta, Rob Welsh, Alphonzo Rawls, Drake Jones, James Kelch. Kids from SF, mostly from Mission, Hunters Point, Fillmore. Black and Latino neighborhoods where skateboarding wasn't the cultural norm, but who created the most influential culture in modern skateboarding.

This crew invented something we call today the SF style. Precise, unforced tech ledge skateboarding, with measured pop. Switch tricks before anyone else. Linked lines with no flat ground between tricks. A body language that Koston, Kalis, and later Torey Pudwill would adopt for 25 years.

Eric Koston, who was passing through from LA, recounts in This Old Ledge (the Thrasher doc above) that EMB was the only place where he had to prove himself. He came. He skated. The crew validated him. The rest, we know.

For outsiders, it was tough. For locals, it was a school. No coach, no park manager, no instruction manual. Just the gaze of the OGs who validated or invalidated your trick. If you blew the same trick three times, you were out. If you landed it switch, you were in the family.

What EMB invented and what you still skate today

Do a test. Go outside, find a low ledge, try a switch backside 50-50. If you land it, you're skating a trick that was popularized at EMB by Mike Carroll in 1992. Link a nollie heelflip at the end of a ledge: Henry Sanchez, 1993, EMB. Try a switch flip front nose grind: Mike York, same spot, same year.

EMB was the first laboratory for widespread switch stance. Before, switch was a curiosity (Gonz, Natas, a few others). At EMB, it became a standard. You didn't have your trick switch? You weren't taken seriously.

The Video Impact: Questionable and Goldfish

The Shoe Game: DC, éS, Vans

Mike Carroll signed with DC Shoes in 1995, right after EMB. His pro model, the Lynx, was directly inspired by what was needed to skate the spot: thin grip to feel the board, cupsole to absorb ledge drops, lateral reinforcement for nollie flips. Today, if you're looking for an equivalent shoe, that's the EMB spec sheet: simple, thin, durable.

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1994, the death of the spot: renovation and anti-skate

Everything stopped in 1994. The city of San Francisco decided to renovate Justin Herman Plaza. Officially, to improve public space. Unofficially, to drive out skaters. Knobs (metal spikes) were installed on the ledges. Trees were planted in the middle of the run. The ground texture was changed. What was smooth became rough. What was skateable became impossible.

Locals migrated. Pier 7, 500 m away, became the new HQ. But the EMB spirit was dead. Pier 7 would be the spot of the second half of the 90s (Henry Sanchez's part in "Goldfish" is more Pier 7 than EMB by the end). But it wasn't the same energy. Not the same geometry. Not the same alchemy.

The true last tricks at EMB, filmed on the sidelines of the renovations, look like goodbyes. Jovontae Turner kickflip backside tailslide on the already damaged ledge. Karl Watson doing a nollie heel noseslide at the Gonz gap before the ground was poured. Then nothing.

The legacy: why no spot will ever replace it

In 2026, if you go to the foot of the Ferry Building, you'll see nothing. Just an anonymous pedestrian plaza. No plaque. No memorial. Nothing. Tourists take their photos, businessmen go to lunch, no one knows that 30 years earlier, modern skateboarding was invented here.

But every time you see a pro rider in 2026 land a switch flip front nose, every time you link a noseslide nollie flip out on a low ledge, every time you tell yourself 'I don't have my trick switch, it's not really landed': you're paying homage to EMB without knowing it. That's where this grammar was born.

EMB was 6 years of glory for 32 years of mythology. An impossible ratio to reproduce. What remains are the videos, the signature shoes, and the technical vocabulary of all the skaters who followed. That's already a lot. It's probably all that was needed.

EMB, the spot that forged modern skate, gone forever — which lost spot do you still mourn? Drop a comment ↓